PUMP HALL
CAP 1,100The original engine floor. Six-metre ceiling, no seating, and a reverb tail nobody has managed to tame since 1971.
Three days of electronic music and installation art inside a water treatment works that stopped treating water in 2019. Four halls, 2,400 people, no headliner billing and no field.
16–18 JULY 2027 · BASIN WORKS · 18+
GATES OPEN IN
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01 · THE BILL
Listed by set time. Nobody is bigger than anybody, and the running order is the running order.
02 · THE HALLS
The original engine floor. Six-metre ceiling, no seating, and a reverb tail nobody has managed to tame since 1971.
Twelve dry filter beds with the gravel removed. Quadraphonic. Standing on the bed walls is permitted and, frankly, the point.
Open air, under the discharge arches. Runs until sunrise on Friday and Saturday. Bring a coat — it is eleven degrees down there in July.
The fourth is SLUDGE LANE, capacity 250, in the old dosing corridor. It is not on the map and it does not have a schedule.
03 · THE SITE
Built 1971, decommissioned 2019, listed 2023. We have a five-year licence, an engineer on site for all three days, and a standing agreement not to paint anything.
04 · TICKETS
Flat pricing, no tiers that get worse the longer you think about it. Face value resale through the same page you bought on.
No tickets are for sale — the festival is invented. Read the source.
05 · PRACTICALITIES
No. Every act is listed by set time only. The Sunday closer plays all four halls at once through a shared feed, which is the closest thing to a headline slot we run.
Handheld, yes. No detachable lenses over 55 mm, no tripods, no drones. The halls are dark and the flash will make you unpopular.
Most of it. The pumps, the gantry crane, the filter beds and the chlorine contact tanks are all in place and structurally surveyed. The water is not.
Yes. 103 dB(A) averaged in Pump Hall. Free plugs at every bar, and the Outfall stage sits twelve decibels below the indoor halls if you need a night off.